Klarman Hall

Christine Bacareza Balance

Christine Bacareza Balance is Associate Professor of Performing & Media Arts and Asian American Studies. Her writings on former Philippine First Lady Imelda Marcos, Asian American YouTube artists, Bruno Mars, Glee’s karaoke aesthetics, and spree killer Andrew Cunanan have been published in Women and Performance: a feminist journal, Journal of Asian American Studies (JAAS), Women's Studies Quarterly (WSQ), and Theatre Journal. Her first book, Tropical Renditions: Making Musical Scenes in Filipino America (Duke University Press, 2016), examines how the performance and reception of post-World War II Filipino/Filipino American popular music compose Filipino identities, publics, and politics. It received the Best First Book award from the Filipino Studies caucus of the Association for Asian American Studies (AAAS). Her current book project, Making Sense of Martial Law, analyzes how the former President Ferdinand Marcos and First Lady Imelda Marcos employed the sensorial and sensational, during their 21-year dictatorial rule, and how U.S.- and Philippines-based performances, events, and cultural objects critique the “Marcosian imaginary,” modeling new forms of cultural memory. With Prof. Lucy San Pablo Burns (UCLA), she is co-editor of the artist-scholar anthology, California Dreaming: Movement & Place in the Asian American Imaginary (University of Hawai’i Press, 2020).

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