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- Dissertation: "Copying Bach: Compositional Emulation and Originality among J.S. Bach's Apprentices."
- History and theory of eighteenth-century music, especially J.S. Bach
- History and theory of music 1450–1550, especially Antoine Brumel
- Music of Compère, Josquin, Mouton; F. Couperin, Handel, C.P.E. Bach, Haydn
- Music analysis and criticsm; counterpoint and form; musical judgment and perception
- Performance (organ, harpsichord, clavichord), notation, and pedagogy
- Historiography of music
- Philosophy of authorship, works, and originality
- "On the Notation of the Bass in Agostino Agazzari's Eumelio (1606): the relationship between counterpoint and improvisation," in progress.
- "François Couperin on Touch, Movement, and Soul," Keyboard Perspectives 10 (forthcoming, 2018)
- "Johann Sebastian Bach," A-R Online Music Anthology ed. Jonathan Lee Rhodes www.armusicanthology.com> (forthcoming, 2018).
- "Brumel’s Laudate Dominum de caelis and the ‘French-court’ motet,” Journal of the Alamire Foundation 18/1 (forthcoming, 2016).
- “Keyboard Technique as Contrapuntal Structure in J.S. Bach’s Clavier Works,” Understanding Bach 10 (2015): 85–108.
- “Charles Diepart’s Six suittes (1701–2) and the en concert performance tradition,” The Viola da Gamba Society Journal 4 (2010): 6–35.