Neal Zaslaw began his musical career the 1960s as flutist in Leopold Stokowski’s American Symphony Orchestra. Between 1978 and 1982 he supervised recordings of all of Mozart’s symphonies by Jaap Schroeder, Christopher Hogwood, and the Academy of Ancient Music. Time magazine called the results “one of the most important projects in the history of recorded sound.” A decade later he was dubbed “Mr. Mozart” by the New York Times for organizing the 1991-92 Mozart Bicentennial at Lincoln Center, which staged performances of all of Mozart’s works.
Professor Zaslaw has been at Cornell since 1970, where he continues to teach the history of Western music from the 9th to the 21st centuries. He is the author of more than seventy articles on baroque music, historical performance practices, Mozart, and the early history of the orchestra. His books include Mozart’s Symphonies: Context, Performance Practice, Reception (1989); The Classical Era from the 1740s to the End of the 18th Century (1989); The Compleat Mozart: A Guide to the Musical Works of Wolfgang Amadeus Mozart (1990); The Mozart Repertory: A Guide for Musicians, Programmers and Researchers (1991); W. A. Mozart: Portfolio of a Genius (1991); Mozart’s Piano Concertos: Text, Context, Interpretation (1996), and (with John Spitzer) The Birth of the Orchestra: History of an Institution, 1650-1815. Der neue K√∂chel, a revised catalogue of Mozart’s works, is in progress.
In addition to hundreds of radio and television broadcasts in a dozen countries, Zaslaw has lectured at more than sixty universities, colleges, museums, and performing arts centers on four continents. His writings have been translated into French, German, Italian, Spanish, Polish, and Japanese. He has served as vice-president of the American Musicological Society and is the recipient of research grants from the National Endowment for the Humanities, the American Council of Learned Societies, and the Martha Baird Rockefeller Fund for Music. In 1991 the Austrian government decorated him for his contributions to Mozart performance and research. He is a member of the Akademie f√ºr Mozart-Forschung of the Mozarteum and the American Academy of Arts & Sciences.