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College Scholar studies connection between sound and nature

By: Kathy Hovis,  AS Communications
Wed, 11/01/2017

Combining the passion and tenacity of a concert pianist with the inspiration he finds in nature, Joshua Sadinsky ’19 is using the College Scholar program in the College of Arts Sciences to pursue classes and research that meld all of his interests.

“I identify first as a pianist; my commitment at first is to the instrument,” said Sadinsky, who grew up in Fayetteville, Arkansas. “But the other part of me is interested in freelance performance, sound art and field recordings.”

A Cornell canoeing class as a freshman, “satisfied this long craving I had for the outdoors and came to be a crystallizing moment in my Cornell career,” he said. After that time, Sadinsky sought ways to mesh his music interests with his other environmental concerns and discovered the College Scholar program, which allows him to create his own set of classes focused on his interests in acoustic ecology.

College Scholars don’t declare a traditional major, but explore subjects that integrate a number of disciplines or they develop a focused aspect of an interdisciplinary field. They work closely with faculty advisors to select courses related to their interests, but also expose them to the disciplines and methods essential to a liberal arts education. College Scholars also complete a senior project or honors thesis during their final year.

Sadinsky has taken a freshman writing seminar in sound studies, a Near Eastern Studies seminar on how sensory landscapes inspire religion and classes in ecology and biology. He’s also taken a host of courses in the music department related to sound and field recording including “The Art of Field Recording,” “Musical Technologies and the Natural World” and “Shaping Sound.”

He is also working with an Ithaca College alumni, Matthew Mikkelsen ‘16, creator of “Being Hear,” a documentary profiling acoustic ecologist Gordon Hempton, who works to preserve nature’s quiet places from noise pollution.

“The soundscapes that we refer to as silent are anything but,” Sadinsky said. “But noise intrusions from machinery, resource extraction, automobiles, airplanes - these are all things that homogenize the natural soundscape. They occupy large frequency bands and drown out the frequency ranges that animals and plants use to communicate with each other.”

Sadinsky is stil mulling over ideas for his senior College Scholar thesis, but his current idea is to  compile an album of field recorded sounds from his adventures around the world, across the U.S. and in upstate New York.

“I’m really fascinated by the sense of adventure and connectedness with the environment that may be afforded by field-recorded sounds,” he said. “I am also fascinated by the acoustic registers of Judaism, and I’m considering musical composition and field recording as an interface with my personal identity within the faith.”

Outside of research, classes and his jobs on campus, holding on to the concert pianist dream means Sadinsky needs to spend important chunks of focused time in the practice room. That dedication involves from two to three hours a day.

“But my involvement in outdoor education is a source of profound happiness in my life,” he said, “so I know I can’t give that up.

“The two are interrelated purely in the act of listening,” Sadinsky said. “When you go outside, you realize there is this miraculous symphony of sounds around you and when you are playing music, you realize that the music exists on its own. In my philosophy, the musician is simply a vessel through which this music can resonate. “

With another year left to work on his College Scholar project, Sadinsky has lots of options to consider after graduation from Cornell. In keeping with his concert pianist dream, he’s planning repertoire for his senior recital, as well as repertoire for graduate school applications.

“My romantic version of the future involves working a day job and then going on wild and extreme outdoor adventures while making field recordings, coming back home,  incorporating piano and field recordings and turning that into art through which I can freelance and make a living,” he said. “Realistically, I would very much like to pursue more school and see myself spending a lot of time in the music world. Being in an ensemble or being a solo performer would be great.”

He thinks that the career market for students his age will involve more entrepreneurial skills. “I know there will be a lot of room for innovation out of necessity,” he said. “It’s pretty wide open.”

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