In the Award Committee’s comments, they laud the book’s “theoretical and methodological sophistication,” and conclude by saying that Danzón is, “a great contribution to our field, and as a model for future works that also aim to cross borders between musicology and ethnomusicology.”
He is spending the academic year in Beijing, China based at the Central Conservatory of Music and will be continuing his studies in composition with Professor Ye Xiaogang.
Mia Tootill was awarded the American Musicological Society’s 2014 William Holmes/Frank D’Accone Award for travel and research in the history of opera. Additionally, she received a graduate student travel grant from Cornell’s Society for the Humanities. With the support of these two awards, Mia plans to complete research in Paris this semester, for her dissertation entitled, From the Underworld to the Opéra: Representations of the Devil on the Parisian Musical Stage, 1827-69.
Jillian Marshall received a Fulbright-mtvU fellowship for the 2014-2015 academic year. The Fulbright-mtvU Fellowship, jointly sponsored by the Fulbright Foundation and Music Television, is awarded to four projects each year that focus on contemporary or popular music as an expression of cultural force or change. She is currently in Japan, where she is immersing herself in and considering the connections between indigenous, popular, and underground musics.
The winners will be honored at a ceremony in November at the New York Institute of Technology in Manhattan, NY.
For more information about the award, follow this link.
Professor Roberto Sierra has received a new commission for an 8 – 10 minute Overture as part of the Eugene Symphony Association’s 50th Anniversary Commissioning Project. The piece, along with works by two other American composers, will have it’s world-premiere during ESA’s ambitious 2015/2016 season. For more information, follow this link.
Christopher’s piece, The Language of Landscapes, will leverage the unexpected and unique sonic terrain of cello and percussion to transform real and imagined landscapes into compelling musical spaces, tracing a musical journey starting from Michael’s desert southwest home, traveling through the deciduous hills of upstate New York (Hannah’s home), and finally reaching towards the endless sky of Christopher’s northern Rockies. Christopher and New Morse Code will spend the next year developing the piece together, generating and refining musical material in a series of residencies, gathering field-recordings and objects from the representative regions, and developing a set of custom-built live electronics.
Lecturer Annie Lewandowski has released her third full-length recording under the name Powerdove. The album, titled Arrest, was issued on CD and LP in France by Murailles Music on September 15th. Arrest features Lewandowski on vocals, accordion, and piano; John Dieterich (Deerhoof) on guitars and bass; and Thomas Bonvalet (L’ocelle Mare) on banjo, small instruments, body percussion, and electronics.
In his review for The Drone magazine (France), Olivier Lamm writes ” “The new album from Annie Lewandowski’s trio is already a classic.”