Skip to main content
sidebar
Lincoln Hall

Department News

Composer James Matheson wins $200,000 Charles Ives Award | Fri Dec 09, 2011

On December 6, 2011, the American Academy of Arts and Letters announced that James Matheson (D.M.A., January 2001) has been awarded the Charles Ives Living and will receive $200,000 over the two-year period of the award, beginning July 2012.  The announcement was made by J. D. McClatchy, president of the Academy:  “James Matheson joins a distinguished line of winners of the Ives Living, each of them adding to American music more of the exuberance and distinction that Charles Ives himself exemplified.”  Although the Charles Ives Living winner agrees to forgo all salaried employment during the award period, there is no restriction on accepting composition commissions.

James Matheson responded, “Two years devoted exclusively to composition is a luxury almost beyond my ability to imagine.  My deepest thanks go to the Academy—and to the ghosts of Charles and Harmony Ives—for making possible this astonishing gift of time.”

SELECTION PROCESS
The selection committee—John Corigliano (chairman), Martin Bresnick, John Harbison, Stephen Hartke, and Tania León—studied scores and recordings over a six-month period to arrive at their choice of James Matheson.

Nominations for the Academy’s awards come from the 250 members of the Academy—painters, sculptors, architects, writers, and composers;  no other nominations or applications are accepted, with the exception of the Richard Rodgers Awards for Musical Theater.  Academy members are not eligible to receive monetary awards.
 
JURY COMMENTS
John Corigliano:  “James Matheson is one of today’s brightest lights.  The Ives Living will help him create even greater works.”
 
John Harbison:  “James Matheson’s music has for many years been a model of independence, strength, and resolute directness.  He is a deserving and distinguished recipient of the Ives Living, and we anticipate many fine pieces blooming during this free time.”
 
Martin Bresnick:  “James Matheson is a composer of significant accomplishment and even greater imaginative potential.  He is an ideal Ives Living winner—independent, industrious, and poised for a major contribution to American music.”
 
Tania León:  “His music has deep passion;  there is vibrancy in his voice, an urgency of expression.”
 
Steven Stucky, also a member of the Academy:  “James Matheson’s music never wallows in the sentimental, never panders, never takes it easy.  It has muscle—both intellectual and kinetic—it has passion, and it has integrity.  Matheson takes chances; he doesn’t settle for the routine.  His gritty, gutsy ardor and eloquent gravity make me think (approvingly) of Sibelius.”
 
PURPOSE
The purpose of the Ives Living is to free a promising American composer from the need to devote his or her time to any employment other than music composition.  It is the Academy’s intent to provide through this award an income sufficient to ensure that freedom for a period of two years.
 
JAMES MATHESON
James Matheson was born in 1970 in Des Moines, Iowa, and now lives in Brooklyn, New York.  He became the Director of the Los Angeles Philharmonic’s Composer Fellowship Program in September of 2009.  He has received the Goddard Lieberson Fellowship (2008) and the Hinrichsen Award (2002) from the American Academy of Arts and Letters.  He was also the recipient of a Guggenheim Foundation Fellowship in 2000.  From 2005–2007, Matheson was Executive Director of the MATA Festival of New Music in New York.  His music has been performed by the New York and Los Angeles Philharmonics, the Chicago and Albany Symphony Orchestras, the Chamber Music Society of Lincoln Center, Orchestra 2001 (Philadelphia), LA’s Monday Evening Concerts Series, the San Francisco Contemporary Music Players, and the Pittsburgh New Music Ensemble.  In December 2007, the Los Angeles Philharmonic presented the West Coast Premiere of Matheson’s Songs of Desire, Love and Loss, which was commissioned by Carnegie Hall and premiered in October 2004, as part of Dawn Upshaw’s Perspectives series.  In February 2008, Antares presented the world premiere of The Anatomy of Melancholy at the Ravinia Festival.  His Violin Concerto, co-commissioned by the Chicago Symphony Orchestra and the Los Angeles Philharmonic, will receive its world premiere by the CSO later this month (12/15/11).  See http://www.jamesmatheson.com for more information.

HISTORY
The Charles Ives Living was inaugurated in 1998 with the selection of Martin Bresnick.  Chen Yi was the second winner in 2001, Stephen Hartke was the third winner, in 2004, and George Tsontakis followed in 2007.

Read the entire release here.

Read entry at "The Essentials" a Cornell blog here.

Composer James Matheson wins $200,000 Charles Ives Award | Fri Dec 09, 2011

On December 6, 2011, the American Academy of Arts and Letters announced that James Matheson (D.M.A., January 2001) has been awarded the Charles Ives Living and will receive $200,000 over the two-year period of the award, beginning July 2012.  The announcement was made by J. D. McClatchy, president of the Academy:  “James Matheson joins a distinguished line of winners of the Ives Living, each of them adding to American music more of the exuberance and distinction that Charles Ives himself exemplified.”  Although the Charles Ives Living winner agrees to forgo all salaried employment during the award period, there is no restriction on accepting composition commissions.

James Matheson responded, “Two years devoted exclusively to composition is a luxury almost beyond my ability to imagine.  My deepest thanks go to the Academy—and to the ghosts of Charles and Harmony Ives—for making possible this astonishing gift of time.”

SELECTION PROCESS
The selection committee—John Corigliano (chairman), Martin Bresnick, John Harbison, Stephen Hartke, and Tania León—studied scores and recordings over a six-month period to arrive at their choice of James Matheson.

Nominations for the Academy’s awards come from the 250 members of the Academy—painters, sculptors, architects, writers, and composers;  no other nominations or applications are accepted, with the exception of the Richard Rodgers Awards for Musical Theater.  Academy members are not eligible to receive monetary awards.
 
JURY COMMENTS
John Corigliano:  “James Matheson is one of today’s brightest lights.  The Ives Living will help him create even greater works.”
 
John Harbison:  “James Matheson’s music has for many years been a model of independence, strength, and resolute directness.  He is a deserving and distinguished recipient of the Ives Living, and we anticipate many fine pieces blooming during this free time.”
 
Martin Bresnick:  “James Matheson is a composer of significant accomplishment and even greater imaginative potential.  He is an ideal Ives Living winner—independent, industrious, and poised for a major contribution to American music.”
 
Tania León:  “His music has deep passion;  there is vibrancy in his voice, an urgency of expression.”
 
Steven Stucky, also a member of the Academy:  “James Matheson’s music never wallows in the sentimental, never panders, never takes it easy.  It has muscle—both intellectual and kinetic—it has passion, and it has integrity.  Matheson takes chances; he doesn’t settle for the routine.  His gritty, gutsy ardor and eloquent gravity make me think (approvingly) of Sibelius.”
 
PURPOSE
The purpose of the Ives Living is to free a promising American composer from the need to devote his or her time to any employment other than music composition.  It is the Academy’s intent to provide through this award an income sufficient to ensure that freedom for a period of two years.
 
JAMES MATHESON
James Matheson was born in 1970 in Des Moines, Iowa, and now lives in Brooklyn, New York.  He became the Director of the Los Angeles Philharmonic’s Composer Fellowship Program in September of 2009.  He has received the Goddard Lieberson Fellowship (2008) and the Hinrichsen Award (2002) from the American Academy of Arts and Letters.  He was also the recipient of a Guggenheim Foundation Fellowship in 2000.  From 2005–2007, Matheson was Executive Director of the MATA Festival of New Music in New York.  His music has been performed by the New York and Los Angeles Philharmonics, the Chicago and Albany Symphony Orchestras, the Chamber Music Society of Lincoln Center, Orchestra 2001 (Philadelphia), LA’s Monday Evening Concerts Series, the San Francisco Contemporary Music Players, and the Pittsburgh New Music Ensemble.  In December 2007, the Los Angeles Philharmonic presented the West Coast Premiere of Matheson’s Songs of Desire, Love and Loss, which was commissioned by Carnegie Hall and premiered in October 2004, as part of Dawn Upshaw’s Perspectives series.  In February 2008, Antares presented the world premiere of The Anatomy of Melancholy at the Ravinia Festival.  His Violin Concerto, co-commissioned by the Chicago Symphony Orchestra and the Los Angeles Philharmonic, will receive its world premiere by the CSO later this month (12/15/11).  See http://www.jamesmatheson.com for more information.

HISTORY
The Charles Ives Living was inaugurated in 1998 with the selection of Martin Bresnick.  Chen Yi was the second winner in 2001, Stephen Hartke was the third winner, in 2004, and George Tsontakis followed in 2007.

Read the entire release here.

Read entry at "The Essentials" a Cornell blog here.

Composer James Matheson wins $200,000 Charles Ives Award | Fri Dec 09, 2011

On December 6, 2011, the American Academy of Arts and Letters announced that James Matheson (D.M.A., January 2001) has been awarded the Charles Ives Living and will receive $200,000 over the two-year period of the award, beginning July 2012.  The announcement was made by J. D. McClatchy, president of the Academy:  “James Matheson joins a distinguished line of winners of the Ives Living, each of them adding to American music more of the exuberance and distinction that Charles Ives himself exemplified.”  Although the Charles Ives Living winner agrees to forgo all salaried employment during the award period, there is no restriction on accepting composition commissions.

James Matheson responded, “Two years devoted exclusively to composition is a luxury almost beyond my ability to imagine.  My deepest thanks go to the Academy—and to the ghosts of Charles and Harmony Ives—for making possible this astonishing gift of time.”

SELECTION PROCESS
The selection committee—John Corigliano (chairman), Martin Bresnick, John Harbison, Stephen Hartke, and Tania León—studied scores and recordings over a six-month period to arrive at their choice of James Matheson.

Nominations for the Academy’s awards come from the 250 members of the Academy—painters, sculptors, architects, writers, and composers;  no other nominations or applications are accepted, with the exception of the Richard Rodgers Awards for Musical Theater.  Academy members are not eligible to receive monetary awards.
 
JURY COMMENTS
John Corigliano:  “James Matheson is one of today’s brightest lights.  The Ives Living will help him create even greater works.”
 
John Harbison:  “James Matheson’s music has for many years been a model of independence, strength, and resolute directness.  He is a deserving and distinguished recipient of the Ives Living, and we anticipate many fine pieces blooming during this free time.”
 
Martin Bresnick:  “James Matheson is a composer of significant accomplishment and even greater imaginative potential.  He is an ideal Ives Living winner—independent, industrious, and poised for a major contribution to American music.”
 
Tania León:  “His music has deep passion;  there is vibrancy in his voice, an urgency of expression.”
 
Steven Stucky, also a member of the Academy:  “James Matheson’s music never wallows in the sentimental, never panders, never takes it easy.  It has muscle—both intellectual and kinetic—it has passion, and it has integrity.  Matheson takes chances; he doesn’t settle for the routine.  His gritty, gutsy ardor and eloquent gravity make me think (approvingly) of Sibelius.”
 
PURPOSE
The purpose of the Ives Living is to free a promising American composer from the need to devote his or her time to any employment other than music composition.  It is the Academy’s intent to provide through this award an income sufficient to ensure that freedom for a period of two years.
 
JAMES MATHESON
James Matheson was born in 1970 in Des Moines, Iowa, and now lives in Brooklyn, New York.  He became the Director of the Los Angeles Philharmonic’s Composer Fellowship Program in September of 2009.  He has received the Goddard Lieberson Fellowship (2008) and the Hinrichsen Award (2002) from the American Academy of Arts and Letters.  He was also the recipient of a Guggenheim Foundation Fellowship in 2000.  From 2005–2007, Matheson was Executive Director of the MATA Festival of New Music in New York.  His music has been performed by the New York and Los Angeles Philharmonics, the Chicago and Albany Symphony Orchestras, the Chamber Music Society of Lincoln Center, Orchestra 2001 (Philadelphia), LA’s Monday Evening Concerts Series, the San Francisco Contemporary Music Players, and the Pittsburgh New Music Ensemble.  In December 2007, the Los Angeles Philharmonic presented the West Coast Premiere of Matheson’s Songs of Desire, Love and Loss, which was commissioned by Carnegie Hall and premiered in October 2004, as part of Dawn Upshaw’s Perspectives series.  In February 2008, Antares presented the world premiere of The Anatomy of Melancholy at the Ravinia Festival.  His Violin Concerto, co-commissioned by the Chicago Symphony Orchestra and the Los Angeles Philharmonic, will receive its world premiere by the CSO later this month (12/15/11).  See http://www.jamesmatheson.com for more information.

HISTORY
The Charles Ives Living was inaugurated in 1998 with the selection of Martin Bresnick.  Chen Yi was the second winner in 2001, Stephen Hartke was the third winner, in 2004, and George Tsontakis followed in 2007.

Read the entire release here.

Read entry at "The Essentials" a Cornell blog here.

Composer James Matheson wins $200,000 Charles Ives Award | Fri Dec 09, 2011

On December 6, 2011, the American Academy of Arts and Letters announced that James Matheson (D.M.A., January 2001) has been awarded the Charles Ives Living and will receive $200,000 over the two-year period of the award, beginning July 2012.  The announcement was made by J. D. McClatchy, president of the Academy:  “James Matheson joins a distinguished line of winners of the Ives Living, each of them adding to American music more of the exuberance and distinction that Charles Ives himself exemplified.”  Although the Charles Ives Living winner agrees to forgo all salaried employment during the award period, there is no restriction on accepting composition commissions.

James Matheson responded, “Two years devoted exclusively to composition is a luxury almost beyond my ability to imagine.  My deepest thanks go to the Academy—and to the ghosts of Charles and Harmony Ives—for making possible this astonishing gift of time.”

SELECTION PROCESS
The selection committee—John Corigliano (chairman), Martin Bresnick, John Harbison, Stephen Hartke, and Tania León—studied scores and recordings over a six-month period to arrive at their choice of James Matheson.

Nominations for the Academy’s awards come from the 250 members of the Academy—painters, sculptors, architects, writers, and composers;  no other nominations or applications are accepted, with the exception of the Richard Rodgers Awards for Musical Theater.  Academy members are not eligible to receive monetary awards.
 
JURY COMMENTS
John Corigliano:  “James Matheson is one of today’s brightest lights.  The Ives Living will help him create even greater works.”
 
John Harbison:  “James Matheson’s music has for many years been a model of independence, strength, and resolute directness.  He is a deserving and distinguished recipient of the Ives Living, and we anticipate many fine pieces blooming during this free time.”
 
Martin Bresnick:  “James Matheson is a composer of significant accomplishment and even greater imaginative potential.  He is an ideal Ives Living winner—independent, industrious, and poised for a major contribution to American music.”
 
Tania León:  “His music has deep passion;  there is vibrancy in his voice, an urgency of expression.”
 
Steven Stucky, also a member of the Academy:  “James Matheson’s music never wallows in the sentimental, never panders, never takes it easy.  It has muscle—both intellectual and kinetic—it has passion, and it has integrity.  Matheson takes chances; he doesn’t settle for the routine.  His gritty, gutsy ardor and eloquent gravity make me think (approvingly) of Sibelius.”
 
PURPOSE
The purpose of the Ives Living is to free a promising American composer from the need to devote his or her time to any employment other than music composition.  It is the Academy’s intent to provide through this award an income sufficient to ensure that freedom for a period of two years.
 
JAMES MATHESON
James Matheson was born in 1970 in Des Moines, Iowa, and now lives in Brooklyn, New York.  He became the Director of the Los Angeles Philharmonic’s Composer Fellowship Program in September of 2009.  He has received the Goddard Lieberson Fellowship (2008) and the Hinrichsen Award (2002) from the American Academy of Arts and Letters.  He was also the recipient of a Guggenheim Foundation Fellowship in 2000.  From 2005–2007, Matheson was Executive Director of the MATA Festival of New Music in New York.  His music has been performed by the New York and Los Angeles Philharmonics, the Chicago and Albany Symphony Orchestras, the Chamber Music Society of Lincoln Center, Orchestra 2001 (Philadelphia), LA’s Monday Evening Concerts Series, the San Francisco Contemporary Music Players, and the Pittsburgh New Music Ensemble.  In December 2007, the Los Angeles Philharmonic presented the West Coast Premiere of Matheson’s Songs of Desire, Love and Loss, which was commissioned by Carnegie Hall and premiered in October 2004, as part of Dawn Upshaw’s Perspectives series.  In February 2008, Antares presented the world premiere of The Anatomy of Melancholy at the Ravinia Festival.  His Violin Concerto, co-commissioned by the Chicago Symphony Orchestra and the Los Angeles Philharmonic, will receive its world premiere by the CSO later this month (12/15/11).  See http://www.jamesmatheson.com for more information.

HISTORY
The Charles Ives Living was inaugurated in 1998 with the selection of Martin Bresnick.  Chen Yi was the second winner in 2001, Stephen Hartke was the third winner, in 2004, and George Tsontakis followed in 2007.

Read the entire release here.

Read entry at "The Essentials" a Cornell blog here.

Composer James Matheson wins $200,000 Charles Ives Award | Fri Dec 09, 2011

On December 6, 2011, the American Academy of Arts and Letters announced that James Matheson (D.M.A., January 2001) has been awarded the Charles Ives Living and will receive $200,000 over the two-year period of the award, beginning July 2012.  The announcement was made by J. D. McClatchy, president of the Academy:  “James Matheson joins a distinguished line of winners of the Ives Living, each of them adding to American music more of the exuberance and distinction that Charles Ives himself exemplified.”  Although the Charles Ives Living winner agrees to forgo all salaried employment during the award period, there is no restriction on accepting composition commissions.

James Matheson responded, “Two years devoted exclusively to composition is a luxury almost beyond my ability to imagine.  My deepest thanks go to the Academy—and to the ghosts of Charles and Harmony Ives—for making possible this astonishing gift of time.”

SELECTION PROCESS
The selection committee—John Corigliano (chairman), Martin Bresnick, John Harbison, Stephen Hartke, and Tania León—studied scores and recordings over a six-month period to arrive at their choice of James Matheson.

Nominations for the Academy’s awards come from the 250 members of the Academy—painters, sculptors, architects, writers, and composers;  no other nominations or applications are accepted, with the exception of the Richard Rodgers Awards for Musical Theater.  Academy members are not eligible to receive monetary awards.
 
JURY COMMENTS
John Corigliano:  “James Matheson is one of today’s brightest lights.  The Ives Living will help him create even greater works.”
 
John Harbison:  “James Matheson’s music has for many years been a model of independence, strength, and resolute directness.  He is a deserving and distinguished recipient of the Ives Living, and we anticipate many fine pieces blooming during this free time.”
 
Martin Bresnick:  “James Matheson is a composer of significant accomplishment and even greater imaginative potential.  He is an ideal Ives Living winner—independent, industrious, and poised for a major contribution to American music.”
 
Tania León:  “His music has deep passion;  there is vibrancy in his voice, an urgency of expression.”
 
Steven Stucky, also a member of the Academy:  “James Matheson’s music never wallows in the sentimental, never panders, never takes it easy.  It has muscle—both intellectual and kinetic—it has passion, and it has integrity.  Matheson takes chances; he doesn’t settle for the routine.  His gritty, gutsy ardor and eloquent gravity make me think (approvingly) of Sibelius.”
 
PURPOSE
The purpose of the Ives Living is to free a promising American composer from the need to devote his or her time to any employment other than music composition.  It is the Academy’s intent to provide through this award an income sufficient to ensure that freedom for a period of two years.
 
JAMES MATHESON
James Matheson was born in 1970 in Des Moines, Iowa, and now lives in Brooklyn, New York.  He became the Director of the Los Angeles Philharmonic’s Composer Fellowship Program in September of 2009.  He has received the Goddard Lieberson Fellowship (2008) and the Hinrichsen Award (2002) from the American Academy of Arts and Letters.  He was also the recipient of a Guggenheim Foundation Fellowship in 2000.  From 2005–2007, Matheson was Executive Director of the MATA Festival of New Music in New York.  His music has been performed by the New York and Los Angeles Philharmonics, the Chicago and Albany Symphony Orchestras, the Chamber Music Society of Lincoln Center, Orchestra 2001 (Philadelphia), LA’s Monday Evening Concerts Series, the San Francisco Contemporary Music Players, and the Pittsburgh New Music Ensemble.  In December 2007, the Los Angeles Philharmonic presented the West Coast Premiere of Matheson’s Songs of Desire, Love and Loss, which was commissioned by Carnegie Hall and premiered in October 2004, as part of Dawn Upshaw’s Perspectives series.  In February 2008, Antares presented the world premiere of The Anatomy of Melancholy at the Ravinia Festival.  His Violin Concerto, co-commissioned by the Chicago Symphony Orchestra and the Los Angeles Philharmonic, will receive its world premiere by the CSO later this month (12/15/11).  See http://www.jamesmatheson.com for more information.

HISTORY
The Charles Ives Living was inaugurated in 1998 with the selection of Martin Bresnick.  Chen Yi was the second winner in 2001, Stephen Hartke was the third winner, in 2004, and George Tsontakis followed in 2007.

Read the entire release here.

Read entry at "The Essentials" a Cornell blog here.

Composer James Matheson wins $200,000 Charles Ives Award | Fri Dec 09, 2011

On December 6, 2011, the American Academy of Arts and Letters announced that James Matheson (D.M.A., January 2001) has been awarded the Charles Ives Living and will receive $200,000 over the two-year period of the award, beginning July 2012.  The announcement was made by J. D. McClatchy, president of the Academy:  “James Matheson joins a distinguished line of winners of the Ives Living, each of them adding to American music more of the exuberance and distinction that Charles Ives himself exemplified.”  Although the Charles Ives Living winner agrees to forgo all salaried employment during the award period, there is no restriction on accepting composition commissions.

James Matheson responded, “Two years devoted exclusively to composition is a luxury almost beyond my ability to imagine.  My deepest thanks go to the Academy—and to the ghosts of Charles and Harmony Ives—for making possible this astonishing gift of time.”

SELECTION PROCESS
The selection committee—John Corigliano (chairman), Martin Bresnick, John Harbison, Stephen Hartke, and Tania León—studied scores and recordings over a six-month period to arrive at their choice of James Matheson.

Nominations for the Academy’s awards come from the 250 members of the Academy—painters, sculptors, architects, writers, and composers;  no other nominations or applications are accepted, with the exception of the Richard Rodgers Awards for Musical Theater.  Academy members are not eligible to receive monetary awards.
 
JURY COMMENTS
John Corigliano:  “James Matheson is one of today’s brightest lights.  The Ives Living will help him create even greater works.”
 
John Harbison:  “James Matheson’s music has for many years been a model of independence, strength, and resolute directness.  He is a deserving and distinguished recipient of the Ives Living, and we anticipate many fine pieces blooming during this free time.”
 
Martin Bresnick:  “James Matheson is a composer of significant accomplishment and even greater imaginative potential.  He is an ideal Ives Living winner—independent, industrious, and poised for a major contribution to American music.”
 
Tania León:  “His music has deep passion;  there is vibrancy in his voice, an urgency of expression.”
 
Steven Stucky, also a member of the Academy:  “James Matheson’s music never wallows in the sentimental, never panders, never takes it easy.  It has muscle—both intellectual and kinetic—it has passion, and it has integrity.  Matheson takes chances; he doesn’t settle for the routine.  His gritty, gutsy ardor and eloquent gravity make me think (approvingly) of Sibelius.”
 
PURPOSE
The purpose of the Ives Living is to free a promising American composer from the need to devote his or her time to any employment other than music composition.  It is the Academy’s intent to provide through this award an income sufficient to ensure that freedom for a period of two years.
 
JAMES MATHESON
James Matheson was born in 1970 in Des Moines, Iowa, and now lives in Brooklyn, New York.  He became the Director of the Los Angeles Philharmonic’s Composer Fellowship Program in September of 2009.  He has received the Goddard Lieberson Fellowship (2008) and the Hinrichsen Award (2002) from the American Academy of Arts and Letters.  He was also the recipient of a Guggenheim Foundation Fellowship in 2000.  From 2005–2007, Matheson was Executive Director of the MATA Festival of New Music in New York.  His music has been performed by the New York and Los Angeles Philharmonics, the Chicago and Albany Symphony Orchestras, the Chamber Music Society of Lincoln Center, Orchestra 2001 (Philadelphia), LA’s Monday Evening Concerts Series, the San Francisco Contemporary Music Players, and the Pittsburgh New Music Ensemble.  In December 2007, the Los Angeles Philharmonic presented the West Coast Premiere of Matheson’s Songs of Desire, Love and Loss, which was commissioned by Carnegie Hall and premiered in October 2004, as part of Dawn Upshaw’s Perspectives series.  In February 2008, Antares presented the world premiere of The Anatomy of Melancholy at the Ravinia Festival.  His Violin Concerto, co-commissioned by the Chicago Symphony Orchestra and the Los Angeles Philharmonic, will receive its world premiere by the CSO later this month (12/15/11).  See http://www.jamesmatheson.com for more information.

HISTORY
The Charles Ives Living was inaugurated in 1998 with the selection of Martin Bresnick.  Chen Yi was the second winner in 2001, Stephen Hartke was the third winner, in 2004, and George Tsontakis followed in 2007.

Read the entire release here.

Read entry at "The Essentials" a Cornell blog here.

Composer James Matheson wins $200,000 Charles Ives Award | Fri Dec 09, 2011

On December 6, 2011, the American Academy of Arts and Letters announced that James Matheson (D.M.A., January 2001) has been awarded the Charles Ives Living and will receive $200,000 over the two-year period of the award, beginning July 2012.  The announcement was made by J. D. McClatchy, president of the Academy:  “James Matheson joins a distinguished line of winners of the Ives Living, each of them adding to American music more of the exuberance and distinction that Charles Ives himself exemplified.”  Although the Charles Ives Living winner agrees to forgo all salaried employment during the award period, there is no restriction on accepting composition commissions.

James Matheson responded, “Two years devoted exclusively to composition is a luxury almost beyond my ability to imagine.  My deepest thanks go to the Academy—and to the ghosts of Charles and Harmony Ives—for making possible this astonishing gift of time.”

SELECTION PROCESS
The selection committee—John Corigliano (chairman), Martin Bresnick, John Harbison, Stephen Hartke, and Tania León—studied scores and recordings over a six-month period to arrive at their choice of James Matheson.

Nominations for the Academy’s awards come from the 250 members of the Academy—painters, sculptors, architects, writers, and composers;  no other nominations or applications are accepted, with the exception of the Richard Rodgers Awards for Musical Theater.  Academy members are not eligible to receive monetary awards.
 
JURY COMMENTS
John Corigliano:  “James Matheson is one of today’s brightest lights.  The Ives Living will help him create even greater works.”
 
John Harbison:  “James Matheson’s music has for many years been a model of independence, strength, and resolute directness.  He is a deserving and distinguished recipient of the Ives Living, and we anticipate many fine pieces blooming during this free time.”
 
Martin Bresnick:  “James Matheson is a composer of significant accomplishment and even greater imaginative potential.  He is an ideal Ives Living winner—independent, industrious, and poised for a major contribution to American music.”
 
Tania León:  “His music has deep passion;  there is vibrancy in his voice, an urgency of expression.”
 
Steven Stucky, also a member of the Academy:  “James Matheson’s music never wallows in the sentimental, never panders, never takes it easy.  It has muscle—both intellectual and kinetic—it has passion, and it has integrity.  Matheson takes chances; he doesn’t settle for the routine.  His gritty, gutsy ardor and eloquent gravity make me think (approvingly) of Sibelius.”
 
PURPOSE
The purpose of the Ives Living is to free a promising American composer from the need to devote his or her time to any employment other than music composition.  It is the Academy’s intent to provide through this award an income sufficient to ensure that freedom for a period of two years.
 
JAMES MATHESON
James Matheson was born in 1970 in Des Moines, Iowa, and now lives in Brooklyn, New York.  He became the Director of the Los Angeles Philharmonic’s Composer Fellowship Program in September of 2009.  He has received the Goddard Lieberson Fellowship (2008) and the Hinrichsen Award (2002) from the American Academy of Arts and Letters.  He was also the recipient of a Guggenheim Foundation Fellowship in 2000.  From 2005–2007, Matheson was Executive Director of the MATA Festival of New Music in New York.  His music has been performed by the New York and Los Angeles Philharmonics, the Chicago and Albany Symphony Orchestras, the Chamber Music Society of Lincoln Center, Orchestra 2001 (Philadelphia), LA’s Monday Evening Concerts Series, the San Francisco Contemporary Music Players, and the Pittsburgh New Music Ensemble.  In December 2007, the Los Angeles Philharmonic presented the West Coast Premiere of Matheson’s Songs of Desire, Love and Loss, which was commissioned by Carnegie Hall and premiered in October 2004, as part of Dawn Upshaw’s Perspectives series.  In February 2008, Antares presented the world premiere of The Anatomy of Melancholy at the Ravinia Festival.  His Violin Concerto, co-commissioned by the Chicago Symphony Orchestra and the Los Angeles Philharmonic, will receive its world premiere by the CSO later this month (12/15/11).  See http://www.jamesmatheson.com for more information.

HISTORY
The Charles Ives Living was inaugurated in 1998 with the selection of Martin Bresnick.  Chen Yi was the second winner in 2001, Stephen Hartke was the third winner, in 2004, and George Tsontakis followed in 2007.

Read the entire release here.

Read entry at "The Essentials" a Cornell blog here.

Composer James Matheson wins $200,000 Charles Ives Award | Fri Dec 09, 2011

On December 6, 2011, the American Academy of Arts and Letters announced that James Matheson (D.M.A., January 2001) has been awarded the Charles Ives Living and will receive $200,000 over the two-year period of the award, beginning July 2012.  The announcement was made by J. D. McClatchy, president of the Academy:  “James Matheson joins a distinguished line of winners of the Ives Living, each of them adding to American music more of the exuberance and distinction that Charles Ives himself exemplified.”  Although the Charles Ives Living winner agrees to forgo all salaried employment during the award period, there is no restriction on accepting composition commissions.

James Matheson responded, “Two years devoted exclusively to composition is a luxury almost beyond my ability to imagine.  My deepest thanks go to the Academy—and to the ghosts of Charles and Harmony Ives—for making possible this astonishing gift of time.”

SELECTION PROCESS
The selection committee—John Corigliano (chairman), Martin Bresnick, John Harbison, Stephen Hartke, and Tania León—studied scores and recordings over a six-month period to arrive at their choice of James Matheson.

Nominations for the Academy’s awards come from the 250 members of the Academy—painters, sculptors, architects, writers, and composers;  no other nominations or applications are accepted, with the exception of the Richard Rodgers Awards for Musical Theater.  Academy members are not eligible to receive monetary awards.
 
JURY COMMENTS
John Corigliano:  “James Matheson is one of today’s brightest lights.  The Ives Living will help him create even greater works.”
 
John Harbison:  “James Matheson’s music has for many years been a model of independence, strength, and resolute directness.  He is a deserving and distinguished recipient of the Ives Living, and we anticipate many fine pieces blooming during this free time.”
 
Martin Bresnick:  “James Matheson is a composer of significant accomplishment and even greater imaginative potential.  He is an ideal Ives Living winner—independent, industrious, and poised for a major contribution to American music.”
 
Tania León:  “His music has deep passion;  there is vibrancy in his voice, an urgency of expression.”
 
Steven Stucky, also a member of the Academy:  “James Matheson’s music never wallows in the sentimental, never panders, never takes it easy.  It has muscle—both intellectual and kinetic—it has passion, and it has integrity.  Matheson takes chances; he doesn’t settle for the routine.  His gritty, gutsy ardor and eloquent gravity make me think (approvingly) of Sibelius.”
 
PURPOSE
The purpose of the Ives Living is to free a promising American composer from the need to devote his or her time to any employment other than music composition.  It is the Academy’s intent to provide through this award an income sufficient to ensure that freedom for a period of two years.
 
JAMES MATHESON
James Matheson was born in 1970 in Des Moines, Iowa, and now lives in Brooklyn, New York.  He became the Director of the Los Angeles Philharmonic’s Composer Fellowship Program in September of 2009.  He has received the Goddard Lieberson Fellowship (2008) and the Hinrichsen Award (2002) from the American Academy of Arts and Letters.  He was also the recipient of a Guggenheim Foundation Fellowship in 2000.  From 2005–2007, Matheson was Executive Director of the MATA Festival of New Music in New York.  His music has been performed by the New York and Los Angeles Philharmonics, the Chicago and Albany Symphony Orchestras, the Chamber Music Society of Lincoln Center, Orchestra 2001 (Philadelphia), LA’s Monday Evening Concerts Series, the San Francisco Contemporary Music Players, and the Pittsburgh New Music Ensemble.  In December 2007, the Los Angeles Philharmonic presented the West Coast Premiere of Matheson’s Songs of Desire, Love and Loss, which was commissioned by Carnegie Hall and premiered in October 2004, as part of Dawn Upshaw’s Perspectives series.  In February 2008, Antares presented the world premiere of The Anatomy of Melancholy at the Ravinia Festival.  His Violin Concerto, co-commissioned by the Chicago Symphony Orchestra and the Los Angeles Philharmonic, will receive its world premiere by the CSO later this month (12/15/11).  See http://www.jamesmatheson.com for more information.

HISTORY
The Charles Ives Living was inaugurated in 1998 with the selection of Martin Bresnick.  Chen Yi was the second winner in 2001, Stephen Hartke was the third winner, in 2004, and George Tsontakis followed in 2007.

Read the entire release here.

Read entry at "The Essentials" a Cornell blog here.

Composer James Matheson wins $200,000 Charles Ives Award | Fri Dec 09, 2011

On December 6, 2011, the American Academy of Arts and Letters announced that James Matheson (D.M.A., January 2001) has been awarded the Charles Ives Living and will receive $200,000 over the two-year period of the award, beginning July 2012.  The announcement was made by J. D. McClatchy, president of the Academy:  “James Matheson joins a distinguished line of winners of the Ives Living, each of them adding to American music more of the exuberance and distinction that Charles Ives himself exemplified.”  Although the Charles Ives Living winner agrees to forgo all salaried employment during the award period, there is no restriction on accepting composition commissions.

James Matheson responded, “Two years devoted exclusively to composition is a luxury almost beyond my ability to imagine.  My deepest thanks go to the Academy—and to the ghosts of Charles and Harmony Ives—for making possible this astonishing gift of time.”

SELECTION PROCESS
The selection committee—John Corigliano (chairman), Martin Bresnick, John Harbison, Stephen Hartke, and Tania León—studied scores and recordings over a six-month period to arrive at their choice of James Matheson.

Nominations for the Academy’s awards come from the 250 members of the Academy—painters, sculptors, architects, writers, and composers;  no other nominations or applications are accepted, with the exception of the Richard Rodgers Awards for Musical Theater.  Academy members are not eligible to receive monetary awards.
 
JURY COMMENTS
John Corigliano:  “James Matheson is one of today’s brightest lights.  The Ives Living will help him create even greater works.”
 
John Harbison:  “James Matheson’s music has for many years been a model of independence, strength, and resolute directness.  He is a deserving and distinguished recipient of the Ives Living, and we anticipate many fine pieces blooming during this free time.”
 
Martin Bresnick:  “James Matheson is a composer of significant accomplishment and even greater imaginative potential.  He is an ideal Ives Living winner—independent, industrious, and poised for a major contribution to American music.”
 
Tania León:  “His music has deep passion;  there is vibrancy in his voice, an urgency of expression.”
 
Steven Stucky, also a member of the Academy:  “James Matheson’s music never wallows in the sentimental, never panders, never takes it easy.  It has muscle—both intellectual and kinetic—it has passion, and it has integrity.  Matheson takes chances; he doesn’t settle for the routine.  His gritty, gutsy ardor and eloquent gravity make me think (approvingly) of Sibelius.”
 
PURPOSE
The purpose of the Ives Living is to free a promising American composer from the need to devote his or her time to any employment other than music composition.  It is the Academy’s intent to provide through this award an income sufficient to ensure that freedom for a period of two years.
 
JAMES MATHESON
James Matheson was born in 1970 in Des Moines, Iowa, and now lives in Brooklyn, New York.  He became the Director of the Los Angeles Philharmonic’s Composer Fellowship Program in September of 2009.  He has received the Goddard Lieberson Fellowship (2008) and the Hinrichsen Award (2002) from the American Academy of Arts and Letters.  He was also the recipient of a Guggenheim Foundation Fellowship in 2000.  From 2005–2007, Matheson was Executive Director of the MATA Festival of New Music in New York.  His music has been performed by the New York and Los Angeles Philharmonics, the Chicago and Albany Symphony Orchestras, the Chamber Music Society of Lincoln Center, Orchestra 2001 (Philadelphia), LA’s Monday Evening Concerts Series, the San Francisco Contemporary Music Players, and the Pittsburgh New Music Ensemble.  In December 2007, the Los Angeles Philharmonic presented the West Coast Premiere of Matheson’s Songs of Desire, Love and Loss, which was commissioned by Carnegie Hall and premiered in October 2004, as part of Dawn Upshaw’s Perspectives series.  In February 2008, Antares presented the world premiere of The Anatomy of Melancholy at the Ravinia Festival.  His Violin Concerto, co-commissioned by the Chicago Symphony Orchestra and the Los Angeles Philharmonic, will receive its world premiere by the CSO later this month (12/15/11).  See http://www.jamesmatheson.com for more information.

HISTORY
The Charles Ives Living was inaugurated in 1998 with the selection of Martin Bresnick.  Chen Yi was the second winner in 2001, Stephen Hartke was the third winner, in 2004, and George Tsontakis followed in 2007.

Read the entire release here.

Read entry at "The Essentials" a Cornell blog here.

Composer James Matheson wins $200,000 Charles Ives Award | Fri Dec 09, 2011

On December 6, 2011, the American Academy of Arts and Letters announced that James Matheson (D.M.A., January 2001) has been awarded the Charles Ives Living and will receive $200,000 over the two-year period of the award, beginning July 2012.  The announcement was made by J. D. McClatchy, president of the Academy:  “James Matheson joins a distinguished line of winners of the Ives Living, each of them adding to American music more of the exuberance and distinction that Charles Ives himself exemplified.”  Although the Charles Ives Living winner agrees to forgo all salaried employment during the award period, there is no restriction on accepting composition commissions.

James Matheson responded, “Two years devoted exclusively to composition is a luxury almost beyond my ability to imagine.  My deepest thanks go to the Academy—and to the ghosts of Charles and Harmony Ives—for making possible this astonishing gift of time.”

SELECTION PROCESS
The selection committee—John Corigliano (chairman), Martin Bresnick, John Harbison, Stephen Hartke, and Tania León—studied scores and recordings over a six-month period to arrive at their choice of James Matheson.

Nominations for the Academy’s awards come from the 250 members of the Academy—painters, sculptors, architects, writers, and composers;  no other nominations or applications are accepted, with the exception of the Richard Rodgers Awards for Musical Theater.  Academy members are not eligible to receive monetary awards.
 
JURY COMMENTS
John Corigliano:  “James Matheson is one of today’s brightest lights.  The Ives Living will help him create even greater works.”
 
John Harbison:  “James Matheson’s music has for many years been a model of independence, strength, and resolute directness.  He is a deserving and distinguished recipient of the Ives Living, and we anticipate many fine pieces blooming during this free time.”
 
Martin Bresnick:  “James Matheson is a composer of significant accomplishment and even greater imaginative potential.  He is an ideal Ives Living winner—independent, industrious, and poised for a major contribution to American music.”
 
Tania León:  “His music has deep passion;  there is vibrancy in his voice, an urgency of expression.”
 
Steven Stucky, also a member of the Academy:  “James Matheson’s music never wallows in the sentimental, never panders, never takes it easy.  It has muscle—both intellectual and kinetic—it has passion, and it has integrity.  Matheson takes chances; he doesn’t settle for the routine.  His gritty, gutsy ardor and eloquent gravity make me think (approvingly) of Sibelius.”
 
PURPOSE
The purpose of the Ives Living is to free a promising American composer from the need to devote his or her time to any employment other than music composition.  It is the Academy’s intent to provide through this award an income sufficient to ensure that freedom for a period of two years.
 
JAMES MATHESON
James Matheson was born in 1970 in Des Moines, Iowa, and now lives in Brooklyn, New York.  He became the Director of the Los Angeles Philharmonic’s Composer Fellowship Program in September of 2009.  He has received the Goddard Lieberson Fellowship (2008) and the Hinrichsen Award (2002) from the American Academy of Arts and Letters.  He was also the recipient of a Guggenheim Foundation Fellowship in 2000.  From 2005–2007, Matheson was Executive Director of the MATA Festival of New Music in New York.  His music has been performed by the New York and Los Angeles Philharmonics, the Chicago and Albany Symphony Orchestras, the Chamber Music Society of Lincoln Center, Orchestra 2001 (Philadelphia), LA’s Monday Evening Concerts Series, the San Francisco Contemporary Music Players, and the Pittsburgh New Music Ensemble.  In December 2007, the Los Angeles Philharmonic presented the West Coast Premiere of Matheson’s Songs of Desire, Love and Loss, which was commissioned by Carnegie Hall and premiered in October 2004, as part of Dawn Upshaw’s Perspectives series.  In February 2008, Antares presented the world premiere of The Anatomy of Melancholy at the Ravinia Festival.  His Violin Concerto, co-commissioned by the Chicago Symphony Orchestra and the Los Angeles Philharmonic, will receive its world premiere by the CSO later this month (12/15/11).  See http://www.jamesmatheson.com for more information.

HISTORY
The Charles Ives Living was inaugurated in 1998 with the selection of Martin Bresnick.  Chen Yi was the second winner in 2001, Stephen Hartke was the third winner, in 2004, and George Tsontakis followed in 2007.

Read the entire release here.

Read entry at "The Essentials" a Cornell blog here.