Organs
Organs:
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The Cornell Baroque Organ Project
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Aeolian-Skinner Organ (Sage)The largest organ on campus is the eclectic American classic Aeolian Skinner (1940) located in the elaborately decorated 19th-century Sage Chapel, at the center of the campus. Built under the direction of G. Donald Harrison, this organ is a classic example of Harrison’s tonal thinking in 1940. It incorporates advanced neo-Baroque elements but also includes a number of ranks re-used from earlier instruments. Read more. |
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18th-Century Neapolitan Organ (Sage)This is an original 18th-century Italian organ, built in Naples in 1746 by Augustinus Vicedomini. Restoration work was carried out in several phases, initially by Formentelli, and subsequently by Greg Harrold (Los Angeles) and Munetaka Yokota (GOArt). The instrument has a very lively character, and is tuned in quarter comma meantone. Read more. |
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The Dallas Morse Coors Chamber Organ (Barnes)This classic 18th-century style German chamber organ, with one manual and pedal, and five ranks (with divided keyboard) was built at the Gothenburg Organ Art Center in 2003. It is designed to fulfill numerous functions, from continuo accompaniment in both instrumental and vocal music, to solo recitals and the performance of the 18th-century organ concerto repertoire. The organ also serves as a practice instrument of the highest quality for organ students on campus. Read more. |
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Original Sage Chapel Organ (history)Cornell, from its inception, has played a vital role in sustaining the legacy of the organ. The university’s first president, Andrew Dickson White, was deeply committed to nurturing the organ’s role as the embodiment of musical and intellectual culture. An avid amateur organist with, as he admitted, an “old passion for the ‘king of instruments’” White made it his personal mission to acquire two very significant organs for Cornell – neither of which, sadly, has survived.
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A.D White Organ (history)In 1913, with the completion of Bailey Hall, the eighty-year-old Andrew D. White (President Emeritus) took it upon himself once again to promote organ music at Cornell. In search of a donor who would fund a superb recital instrument suited to this large auditorium, he wrote directly to his friend and fellow trustee Andrew Carnegie.
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